(Photos by Pramyth Abeysekra) After two and a half years in Malaysia, finally watched a performance by the Malaysian Philharmonic Orchestra (MPO). The 2016/17 season opening concert “A Musical Journey in Anime”, which incidentally was false advertising given that only half the programme was from Joe Hisaishi’s anime repertoire. How was the performance? In one… Continue reading Underwhelmed by the Malaysian Philharmonic Orchestra (MPO)
originally published in The Nation “Here, did you know Stigmata’s new album is coming out this week?” The question came from a friend’s mother a few days before the launch of Stigmata’ third studio effort, ‘Psalms of Conscious Martyrdom’. A few years ago I couldn’t have imagined a scenario where a parental figure would come… Continue reading Stigmata’s ‘Psalms of Conscious Martyrdom’ – A Decade of Martyrdom has Paid Off
By Eshantha Peiris D minor triad. Multiply by 13 unamplified cellos on the Lionel Wendt stage. Result: one of the most powerful openings to a live concert that I’ve ever experienced. The compositions of J.S. Bach have a knack for being readily adaptable to instruments for which they were not originally written: e.g. from pipe-organ… Continue reading Guest Post – Review: Cantando Cello Ensemble: Lionel Wendt: July 2nd ’09
Stigmata, Paranoid Earthling and Fuzz Mechanix 4th of July, 2009 7-11pm Punchi Theater, Borella For more information, click here.
Thriloka and the Contemporary Chamber Orchestra (conducted by Manilal Weerakoon) performed at Thrilogy on Friday the 12th of June at the Bishop’s Auditorium. I don’t have time to write a review and will have to make do with several photographs I took. But let me just say that only Thriloka themselves would be able to… Continue reading Thrilogy
Instrumental fusion-band Thriloka is one of the best bands currently performing in Colombo and this is one concert you shouldn’t miss. Click here to see more details. Please show up and support young Sri Lankan talent.
Dhyan Yathra took me on a much-looked-forward-to journey. Now if only half of Colombo didn’t turn up merely to socialise and be seen. But more about that later. It started off with Karunaratne Kiriwattuduwe on santoor accompanied by the tabla. His performance made me wish, not for the first time, that I’d pay more attention… Continue reading Dhyan Yathra